The New York Times has noted “It’s one of the most talked about Broadway shows since “The Book of Mormon.” Why? It’s a theatrical rarity: a critically acclaimed work, written by a young composer. That it’s told through the language and rhythms of hip-hop and R&B — genres that remain mostly foreign to the musical theater tradition — has put it in contention to redefine what an American musical can look and sound like.” Tune in to a favorite Fromm Institute faculty member who’ll ask (and answer) the question “What’s all the fuss
about “Hamilton?”